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Below, you'll find extensive information on leading Royalty Free Music articles and products to help you on your way to success.

What Is Royalty Free Music
By Beatsuite.com
class=textPageHeading>Introduction

class=textPageBody>Traditionally, Royalty Free had to be licensed each time
it was used as part of a production or broadcast. For instance, TV programmers
would have to pay a ‘Needle drop fee’ each time the was used as part of
a broadcast i.e. every time the needle was dropped on the record! The disadvantage
is that it could be expensive and time consuming.



Royalty Free Music (RF music) is simply
a way to make licensing easier, cheaper and more convenient.




The
Convenience of Royalty Free Music

class=textPageBody>The convenience of RF means that it is an excellent
solution for most production companies. The is usually composed especially
to work with TV, film, radio, computer games or multimedia. Its very composition
targets certain moods, genres or themes. It is tailor-made for that exact
purpose and fits the criteria of most production needs.

The at beatsuite.com has been hand
picked so that it is high quality, has a professional sound, works with visuals
and relates to the styles/genre’s of modern day audiences. We try and give you
the best new that is both suitable for the project and also has the highest
quality sound and production qualities.



The beatsuite.com library has been designed
so that finding music, auditioning, downloading and licensing is all done quickly
and easily. It is fast, accessible, direct and cost effective.



The Differences
in Royalty Free from Library to Library

class=textPageBody>Although the term ‘royalty free music’ is frequently used,
most libraries have various terms and conditions of use for their own
music. For example The Beat Suite allows you to use on a royalty free
basis, that is it can be purchased once and used again and again on your
projects. However to use that same piece of on a TV advertising campaign
you must negotiate a license fee. Our license terms reflect that. It means RF
music is cost effective for many users but higher end applications such as TV
advertising requires additional licensing.
Since there are now so many
different uses of production music, the licensing terms must reflect that. This
is why most independent libraries have their own terms and conditions of
use of their music. It varies from library to library. That is to
say if you intend to use RF then check the terms of use!
Some
libraries still operate a pay-per-use (Needle drop) licensing system. At The
Beat Suite we have tried our best to create a licensing system that is
easy to understand and fair to a range of users.
The Beat Suite allows
all of our to be used royalty free. We do however have a mass production
license that deals with that is duplicated in high numbers. This is for
over 1,000 copies and covers any main platform such as computer games, CD,
CDROM, DVD, Website templates and Video. We also operate a broadcast license for
companies who use our as part of broadcast production (TV, radio or
film).


Where does the
‘royalty’ come in?

Broadcasters such
as the BBC, Fox or Sky have to pay to broadcast music. This payment takes the
form of a license that is issued by a performing rights organisation (PRO) such
as PRS (Performing Rights Society) or ASCAP (the American Society of Composers,
Authors and Publishers). PRO’s administer licenses to users on behalf of
their members (music publishers,

Shutting Down
Folks, it is with some sadness that I must announce that I am shutting down http://music.tinfoil.net. Yes, after 6 years on this domain and using this software (phpnuke) I am shutting it down.<br><br>But, I'm moving it all to <a target="_blank" href="http://www.tinfoilmusic.net">http://www.tinfoilmusic.net</a>!! Please update your bookmarks. This site will no longer be updated and will in the coming week or two be forwarded to the new domain.<br><br>So, to recap, I am shutting down this site and moving it all over to the NEW and IMPROVED site!<br><br>I have finally dropped phpNuke and switched to Joomla. Not that phpnuke is bad, it did serve us well, but we've outgrown it. Oh, let's be honest here; if it weren't for the amazing support of the nuke community, the software would be shite. Francisco is killing it slowly, the code is a mess that desperately needs to be wiped out and redone and Francisco continually ignores security notices and patches leaving everyone running a phpnuke site saddly exposed.<br><br>It's been a treat and I would very much like to thank the nuke community, especially the people behind the Chatserv patches and Nuke Sentinal, you guys saved my site more times than I can count. My point, though, is that if Francisco wasn't as ego driven, he would listen to the community and allow them to contribute more. Or atleast LOOK at what they are contributing.<br><br>Joomla isn't perfect, but it is community driven. There is no single person who controls the entire project and that's how any open-source package as big as phpNuke should be.<br>
RIAA Accused of Double Dipping
<span style="font-style: italic;"><a target="_blank" href="http://recordingindustryvspeople.blogspot.com/2006/11/answer-filed-in-arista-v-greubel-in.html">Ray Beckerman reports</a>:</span> Answer Filed in Arista v. Greubel in Texas; Defendant Says Plaintiffs' Receiving $115M From Kazaa Bars Duplicate Recovery from Defendant.<br><br>In <a href="http://info.riaalawsuits.us/documents.htm#Arista_v_Greubel">Arista v. Greubel</a> in Texas, the defendant has interposed a number of affirmative defenses, including:<br><br>-A first affirmative defense which alleges that if defendant were liable, Kazaa would be jointly and severally liable along with him, and that the $115,000,000 settlement which the RIAA received from Kazaa constitutes recovery in full.<br>-A third affirmative defense that the $750-per-song damages theory is unconstitutional, and that recovery should be limited to 4 times the value of each download, or $2.80 each.<br><br><a href="http://www.ilrweb.com/viewILRPDF.asp?filename=arista_greubel_061117answer">Answer of David Greubel*</a><br>
Clear Channel Sell-off
Radio giant Clear Channel Inc. is selling itself off to a consortium of private investors and in the process will relieve itself of more than a third of its nearly 1,200 radio stations. The sale is valued at some $26.7 billion USD.<br><br>By selling off the the smaller stations, it is hoped that some good will come out of all of this. It has been reported time and time again that Clear Channel was just bad for business.<br><br>Much more information <a target="_blank" href="http://www.washingtonpost.com/wp-dyn/content/article/2006/11/16/AR2006111600537.html">here</a>.<br>
Chinese Democracy Delayed - Who Woulda Thought?
It's amazing, I know, but "Guns 'N Roses"' latest effort, Chinese Democracy actually may not ship this year, even though Axl himself said it would. And if Axl says something, you can bet it's true.<br><br>According to <a target="_blank" href="http://www.ultimate-guitar.com/news/upcoming_releases/gnr_push_album_to_next_year.html">ultimate-guitar</a>, the bands record company isn't aware of any release date and has not received anything from the band regarding it. Word has it that it will come bundled with Duke Nukem Forever.<br>

music libraries and
musicians/artists).
Broadcasters notify
the PRO’s of which they have used by completing ‘cue
sheets’.

A cue sheet is just a form that
details the use of a piece of within a broadcast. It outlines the name of
the music, which programme it is part of and how the is used, for how
long, and how many times etc.
Cue sheets are submitted to the PRO’s who
then calculate how much money is due to each of its members (composer,
publisher or library) depending on the use of the music.

PRO’s then pay each of their members according to how much their has been
broadcast. This payment is known as a royalty. This is why even royalty free
is never truly royalty free.


It is law for broadcasters to have a broadcast
license, it is this license that is paying the
royalty.

What about using
Commercial Music?
class=textPageBody>
Sometimes production companies and other
music users like to use commercial on their projects but this can be very
expensive and complicated. It takes a lot of time to find out the copyright
holder and apply for the rights to use commercial music. Also, the
administration job can be lengthy and hard work. On top of this the fee can be
quite expensive!
To avoid disappointment and even having to remove
from a film or video project at a later date it is advisable to use royalty free
music, since it is both easy to access and also always a cost effective
solution.

Royalty free allows users
to use a piece of that is just as well produced and composed as other
types of commercial but without the cost, time and effort
involved.


class=textPageHeading>What Musical Styles or Moods does Royalty Free
Cover?

These days RF is produced to a very high quality and
covers every genre of and mood. The extensive use of RF means that
all types of are produced to fit the job. RF covers everything from
jazz, pop, dance, orchestral to rock and more!

class=textPageHeading>The Benefits of Royalty Free Music
• It
is easily accessible.
• Simple to license and download.
• Cost effective
and saves time.
• Piece of mind knowing you
are using legally.
• Composed in all musical styles.
• Finished and
mastered and ready to use.
• Can be used
again and again.

Article Source: http://www.articlemap.com

About This Article
We hope that you have found this article useful. This is a free document and may be printed, photocopied, emailed, shared, published on-line or otherwise, but in no way altered! You may download the article as a PDF here.
Please credit the original source as www.beatsuite.com when using this article.





We strive to provide only quality articles, so if there is a specific topic related to music that you would like us to cover, please contact us at any time.

And again, thank you to those contributing daily to our Royalty Free Music website.

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